Tag Archives: critical edition

Špoljarić on politics, patronage and intellectual culture at the Hungarian court

The volume 38 of Građa za povijest književnosti hrvatske (Materials for Croatian literary history), published by the Croatian Academy of Sciences and Arts, appeared recently. The long-awaited volume presents an impressive selection of writings by past Croatian authors in Latin, Italian, Croatian, and German (including Croatian translations and paraphrases from Italian and Latin); most of the texts are edited from manuscripts, and appear in critical editions. The earliest work in this volume is the Navicula Petri, a short theological treatise composed during summer of 1463 by Nicholas bishop of Modruš, and edited by our own Croatica et Tyrolensia postdoc, Luka Špoljarić. For the blog, Luka has provided a summary of his contribution.

Remains of the city of Modruš on a drawing from the 17th century.
Remains of the city of Modruš on a drawing from the 17th century.

Politics, Patronage and Intellectual Culture at the Hungarian Court in the First Years of Matthias Corvinus’ Reign: Nicholas of Modruš and Peter’s Barge (Study, Critical Edition and Translation)

The article presents a new critical edition accompanied by a facing Croatian translation of Peter’s Barge (Navicula Petri), a theological treatise on the problem of physical evil composed by Nicholas bishop of Modruš (ca. 1425–1480). Nicholas was a Croatian Renaissance prelate who enjoyed close contacts with the court of the Hungarian king Matthias Corvinus (1458–1490) before embarking on a successful career at the papal Curia. The edition is based on the sole extant witness of the text, preserved as part of a fifteenth-century miscellany located in the Archive of the Croatian Academy of Sciences and Arts (AHAZU) under shelfmark II.b.3. Two earlier editions of the work (Veličan 1999; Hrkać 2006) are not only marred by errors in transcription, but have moreover failed to recognize two major scribal errors and have thus included not the end of Peter’s Barge but the end of Leonardo Bruni’s Short Oration before Pope Martin V, the work which follows in the manuscript. The critical edition presented here corrects the transcription errors of previous editions, includes for the first time the ending of the work which can be found two folios further in the manuscript, and establishes the original sequence of
this final portion of the text.

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